In this essay, the main point will be the different kinds of love that Carver illustrates in his story “What We Talk about When We Talk … After he completes his tale about the elderly couple, Mel repeats his conclusion, stresses his implied point : "I mean, it was killing the old fart just because he couldn't look at the fucking woman.... Do you see what I'm saying?" "Raymond Carver." They'd even have heart attacks if it got too hot and they were too tired and worn out" (149). Herzinger, Kim, "Minimalism as Postmodernism: Some Introductory Notes." As the quartet packs up the next morning, Stuart uses a payphone to call the body into the police. Rpt. Mel suggests armor would protect him physically, and his example about the car implies a lack of armor caused the elderly couple's physical injuries. Ed also stalked Mel and Terri and called Mel at work with threatening messages. A bottle of gin is inside it. (151). Les nouvelles de La Petite Trilogie et celle de Carver "De quoi parle-t-on quand on parle d'amour" sont comparées pour illustrer la manière dont Carver s'inspire de la stratégie de Tchekhov afin de construire un discours qui lui est propre. Detroit: Gale Research, 1989. Mel even wrote to his brother in California, saying that "if something happened to him" to look for Ed. (140). What We Talk About When We Talk About Love. You're right there in that room, it's irresistible" (Pope and McElhinny 17); Chekhov "liked beginnings and endings. Lish removed all of this, rewrote the couple into the same room, but in body casts that prevented them from seeing each other, and then explained the old man's distress thus: "I mean, the accident was one thing, but it wasn't everything. "Raymond Carver Speaking Conversations with Raymond Carver". May, Charles. Mel and Terri have two friends named Nick and Laura. Carver's original draft of the story "Beginners" was heavily edited by Gordon Lish, who cut out nearly half of Carver's story, adding in details of his own. He says, "I'm a heart surgeon, sure, but I'm just a mechanic. 11Before they begin their primary tales, Mel, Alehin, and Burkin provide narrative abstracts that disclose the points of their forthcoming tales. They live together in Albuquerque. In Viewfinder by Raymond Carver we have the theme of connection, suffering and loss. says he has one more thing to tell his wife and daughter but, suddenly inarticulate, he is unable to put what he feels into words. Lish also cut out eight paragraphs at the end, in which Terri communicates her worry over Herb's depression to Laura and Nick, and another aspect of love is shown as Laura comforts Terri, tying together all the types of love discussed in the story. As Freedman observes, the stories in Chekhov's trilogy all refer "to the theme of story-telling, and in most cases the message is borne by Chekhov's narrator, either by direct narrative statement or by the manipulation of dialogue, setting, and mood... Burkin, Ivan Ivanych, and Alekhin are, above all, story-tellers" (115). Discussion of Love in Raymond Carver's What We Talk About When We Talk About Love 952 Words | 4 Pages. I'll give you a good example. Both introductions intertextually employ narrators who signify forthcoming subjects. 27While Carver portrays human isolation in many of his stories, Cathedral most distinctly suggests this condition. While Nick and Laura successfully communicate through subtle gestures, Mel is unable to communicate even when he shouts and announces his point. The narrator asks the photographer in for coffee. Unlike the psychological armor that Mel and Byelikov desire, the elderly man in Mel's tale desires to remove the casts that prevent him from expressing his love for his wife. I mean, I was going to prove a point. Alehin explains that each instance of love requires individual explanation : "We ought... to individualize each case" (290). Once he arrived, he saw how badly the elderly couple had been injured. Constance Garnett. The more sonorous point depicted is not the solution to questions, but ther search for answers, a symbolic grail for Mel, Alehin and readers. Aldridge, John W. Talents and Technicians: Literary Chic and the New Assembly-Line Fiction, New York: Scribner's, 1992. Terri's abusive boyfriend eventually committed suicide after two attempts (as Terri sees it, another act of love). What We Talk About When We Talk About Setting. Burt apologizes but Vera does not think it's very sincere. A cardiologist. ... was shaped by aspects of the locale of her childhood which will forever color any reaction she has to any situation. Mel would visit the couple daily, and when he put his ear to the husband's mouth-hole, the latter told Mel he was upset because he could not see his wife through his eye-holes. In What We Talk About When We Talk About Love, Raymond Carver creates throughout his stories an America that appears on the surface to be the same as normal, but differs when you look at it deeper. Mel's discussion about knights, serfs, and vassals suggests a master-slave relationship. Learn all about how the characters in What We Talk About When We Talk About Love such as Holly and Laura contribute to the story and how they fit into the plot. Burt comes back to bed, realizing she forgot to latch the gate shut other writers storytellers when digress. This condition was making him feel so bad claustrophobic and frightened, Claire clicks her car shut. 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